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ƒp[ƒJƒbƒVƒ‡ƒ“uŽt ‰ª•”—mˆê
ƒ‰ƒCƒuƒXƒPƒWƒ…[ƒ‹

2017”N4ŒŽ

4/1(“y) ‹âÀ ƒm[ƒo[ƒh
TELF03-6280-6006
y —é–Ø —Ç—YibjBass Talkz
‰ª•”—mˆê (perc) —é–Ø—Ç—Y (b) ˆäãM•½ (fl) –ì—Í ‘tˆê (pf)
4/4(‰Î) VhƒTƒ€ƒfƒC
TELF03-3359-6777
y•l“c@‹Ï vib t‚̃NƒƒCƒAƒbƒg ƒuƒ‰ƒWƒŠƒAƒ“ ƒiƒCƒg ƒp[ƒg9z
‰ª•”—mˆê (perc) •l“c@‹Ï vibAät–ؐ^‹| voAŠÖŒû«Žj celloAŒÃì@”ž g.vo 
4/5(…) ’†–ڍ•Šy‰®
TELF03-3714-2607
yŽR‰ºTopo—m•½ ƒlƒIƒtƒHƒ‹ƒNƒ[ƒŒƒ†ƒjƒbƒguAlasvSpecialz
‰ª•”—mˆê (perc) ŽR‰ºTopo—m•½(ƒP[ƒi,Vo)‘¾É•S‡(P) ”nêFŠì(G) û“‡—TŽ¡(B) 
4/6(–Ø) Š™‘qƒ_ƒtƒl
TELF0467-24-5169
y —é–Ø —Ç—YibjBass Talkz
‰ª•”—mˆê (perc) —é–Ø—Ç—Y (b) ˆäãM•½ (fl) –ì—Í ‘tˆê (pf)
4/8(“y) “ìƒAƒ‹ƒvƒXŽs”ª“c‚Ó‚ê‚ ‚¢î•ñŠÙƒJƒiƒŠƒAƒz[ƒ‹
TELF055-285-1883
‚µ‚ç‚¢‚Ý‚¿‚æ
‰ª•”—mˆê (perc) ‘¼ 
4/10(ŒŽ) ‹gËŽ› ƒTƒ€ƒ^ƒCƒ€
TELF0422-21-6336
y —é–Ø —Ç—YibjBass Talkz
‰ª•”—mˆê (perc) —é–Ø—Ç—Y (b) ˆäãM•½ (fl) –ì—Í ‘tˆê (pf)
4/12(…) ‰¡•l KAMOME live matters
TELF045-662-5357
y —é–Ø —Ç—YibjBass Talkz
‰ª•”—mˆê (perc) —é–Ø—Ç—Y (b) ˆäãM•½ (fl) –ì—Í ‘tˆê (pf)
4/13(–Ø) •Ÿˆä–kƒm¯ƒNƒ‰ƒVƒbƒNƒX
TELF0776-27-6101
yHerb-Teaz
‰ª•”—mˆê (perc) •xŠ~t¶ (p) “c’†–M˜a (sax) 
4/14(‹à) “Ö‰êTree Cafe
TELF0770-21-3033
yHerb-Teaz
‰ª•”—mˆê (perc) •xŠ~t¶ (p) “c’†–M˜a (sax) 
4/15(“y) ‚à‚Á‚«‚è‚â
TELF076-231-0096
yHerb-Teaz
‰ª•”—mˆê (perc) •xŠ~t¶ (p) “c’†–M˜a (sax) 
4/16(“ú) •xŽRBASSA
TELF076-481-6922
yHerb-Teaz
‰ª•”—mˆê (perc) •xŠ~t¶ (p) “c’†–M˜a (sax) 
4/20(–Ø) JZ Brat SOUND OF TOKYO
TELF03-5728-0168
•º“¡²˜aŽq
‰ª•”—mˆê (perc) ‚Ù‚© 
4/23(“ú) –LFƒVƒrƒbƒNƒZƒ“ƒ^[
TELF03-3536-5061
¼“c¹
‰ª•”—mˆê (perc) ‘q‘ò‘åŽ÷iƒGƒŒƒNƒg[ƒ“EŒ®”Õƒn[ƒ‚ƒjƒJj 
4/25(‰Î) ƒ‚[ƒVƒ‡ƒ“ƒuƒ‹[ƒˆƒRƒnƒ}
TELF045-226-1919
à_£Œ³•F The ELF Ensemble
‰ª•”—mˆê (perc) à_£Œ³•F(b)´… —æ(b)¬àVŒ÷Í(p,key) GuestF‹e’n¬E(sax) 
4/27(–Ø) ŠwŒ|‘åŠw ƒ`ƒFƒƒL[
TELF03-5708-5780
–ؒ©‚¨‚è‚ÆTHE –¯—w
‰ª•”—mˆê (perc) ‚Ù‚© 
4/28(‹à) PIT INN
TELF03-3354-2024
‘º“c—zˆêƒZƒbƒVƒ‡ƒ“
‰ª•”—mˆê (perc) “íˆäŒÜŒŽ (b) ‘º“c—zˆêiTbj‹ß“¡˜a•FiSaxj¼–{Œ\ŽiiPj 
4/29(“y) ‹gËŽ›ƒXƒgƒŠƒ“ƒOƒX
TELF0422-28-5035
Yuritomo
‰ª•”—mˆê (perc) ‘¾É•S‡(p)tomoca(oboe) 

2017”N5ŒŽ

5/2(‰Î) ‹gËŽ›Sometime
TELF0422-21-6336
y —é–Ø —Ç—YibjBass Talkz
‰ª•”—mˆê (perc) —é–Ø—Ç—Y (b) ˆäãM•½ (fl) –ì—Í ‘tˆê (pf)
5/5(‹à) “Œ‹ž‘ÛƒtƒH[ƒ‰ƒ€ƒz[ƒ‹E yOrquesta Nudge! Nudge!z
‰ª•”—mˆê (perc) –FŠ_ˆÀ—m@iOrquesta Libre,ROVO,Vincent Atmicus ,Emergency! ,ONJOj ‚—Ç‹v”üŽq@iWarehouse , Bondage Fruit ,Orquesta Libre,Vincent Atmicus , ONJO j ì’J—´‘å@i strobo , little cosmo , Freaky Machine ,LEDj Taichi@i Stim j ŠÖª^—@i a‚³’m‚çƒYj ‚“c—z•½@i ƒzƒeƒ‹ ƒjƒ…[ƒg[ƒLƒ‡[ , tuff session , Stim , WUJA BIN BIN j ’†—¢‚½‚©‚µ@i Musica Atractiva,Piecework,Jazztronik,Afro Stereo j ’ÒƒR[ƒXƒP@i GOMA • JUNGLE RHYTHM SECTION j ƒCƒYƒ|ƒ“@i Kingdom™afrocks , ’ÁÀDopeness & Doping Band, exŒ¢Ž®, ex.AOA j 
5/6(“y) ‰¡•l BarBarBar
TELF045-662-0493
yƒ‰ƒŠ[Žõ‰iƒAƒŠƒT ƒ‰ƒeƒ“ƒZƒbƒVƒ‡ƒ“z
‰ª•”—mˆê (perc) vo:Žõ‰iƒAƒŠƒT perc:ƒ‰ƒŠ[Žõ‰i pf:‚ ‚Ñ‚é—³‘¾ bs:¬ò“N•v 
5/7(“ú) a’J Œö‰€’Ê‚èƒNƒ‰ƒVƒbƒNƒX
TELF03-3464-2701
yamanojacoz
‰ª•”—mˆê (perc) Ake Kubota(Piano) Andy Bevan(Sax & Flute) ‘ª“N–ç(Bass) 
5/7(“ú) LADY JANE
TELF03-3412-3947
yHerb-Teaz
‰ª•”—mˆê (perc) •xŠ~t¶ (p) “c’†–M˜a (sax) 
5/8(ŒŽ) ˜Z–{–؃Tƒeƒ“ƒh[ƒ‹
TELF03-3401-3080
yFRV!!z
‰ª•”—mˆê (perc) û“‡—TŽ¡B Šâ£—§”òDs“¡—ˉë—T As”[Œ©‹`“¿Per  
5/9(‰Î) ‹âÀ ƒm[ƒo[ƒh
TELF03-6280-6006
y —é–Ø —Ç—YibjBass Talkz
‰ª•”—mˆê (perc) —é–Ø—Ç—Y (b) ˆäãM•½ (fl) –ì—Í ‘tˆê (pf)
5/10(…) JazzSpot@DOLPHY
TELF045-261-4542
y —é–Ø —Ç—YibjBass Talkz
‰ª•”—mˆê (perc) —é–Ø—Ç—Y (b) ˆäãM•½ (fl) –ì—Í ‘tˆê (pf)
5/14(“ú) ’©‰à‘ä ‚è‚Æ‚é‚©‚è‚ñ ‰ª•”—mˆê (perc) ayuko(vo) 
5/15(ŒŽ) ‘åˆä’¬‚«‚ã‚è‚ ‚ñ¬ƒz[ƒ‹
TELF03-5479-4100
‰ª•”—mˆê (perc) ‚µ‚ç‚¢‚Ý‚¿‚æ(vo) 
5/16(‰Î) ˜Z–{–؃Nƒ‰ƒbƒvƒX
TELF03-5485-5771
yƒMƒ‰EƒWƒ‹ƒJ uƒMƒ‰ŽRƒWƒ‹ŽqPROJECTv 〜º˜a‚Ì–¼‹È‚ðJazz‚ÉRe-Style〜z
‰ª•”—mˆê (perc) ƒMƒ‰EƒWƒ‹ƒJ(Vo) –•à(ƒQƒXƒgVo) ’|’†r“ñ(G,Arrange) ¼–{Œ\Ži(P) ’†‘ºŒ’Œá(B) ‰Á”[Ž÷–ƒ(D)  
5/17(…) PIT INN
TELF03-3354-2024
y‹S“{–³ŒŽ 4DAYS ERA Specialz
‰ª•”—mˆê (perc) ‹S“{–³ŒŽiGj’و䏲‹viVlnj“ï”gO”ViKeyj²“¡Œ¤“ñiBj 
5/19(‹à) TOKUZO yROVOz
‰ª•”—mˆê (perc) Ÿˆä—S“ñ (vln) –FŠ_ ˆÀ—m (ds) ŽR–{ ¸ˆêigj ‰vŽq Ž÷isynj Œ´“c mibj 
5/20(“y) ‹ž“sƒƒgƒ
TELF075-752-4765
yROVOz
‰ª•”—mˆê (perc) Ÿˆä—S“ñ (vln) –FŠ_ ˆÀ—m (ds) ŽR–{ ¸ˆêigj ‰vŽq Ž÷isynj Œ´“c mibj 
5/21(“ú) ‰ªŽR YEBISU YA PRO
TELF086-222-1015
yROVOz
‰ª•”—mˆê (perc) Ÿˆä—S“ñ (vln) –FŠ_ ˆÀ—m (ds) ŽR–{ ¸ˆêigj ‰vŽq Ž÷isynj Œ´“c mibj 
5/23(‰Î) PIT INN
TELF03-3354-2024
y‘º“c—zˆê ORCHESTRAz
‰ª•”—mˆê (perc) ‘º“c—zˆêiTb,Pj‰œ‘º »A‰ªèD˜NiTpj’Ï㌤‘¾,¬’rCiSaxj‹ß“¡˜a•FiBsjÂ–؃^ƒCƒZƒCiTbjŽODŒ÷˜YiGj”[ _ˆêiBj²–ìN•viDsj 
5/25(–Ø) ÂŽR ƒvƒ‰ƒbƒTƒIƒ“ƒ[
TELF03-3405-8015
yA Noite Da Bossa Nova vol.12z
‰ª•”—mˆê (perc) g ×“cDOAvln ‹g‹vˆŸ‹IAb ŽRªK—m 
5/28(“ú) “ú”ä’J–쉹
TELF03-3591-6388
yROVOz
‰ª•”—mˆê (perc) Ÿˆä—S“ñ (vln) –FŠ_ ˆÀ—m (ds) ŽR–{ ¸ˆêigj ‰vŽq Ž÷isynj Œ´“c mibj 
5/29(ŒŽ) ÂŽR ƒvƒ‰ƒbƒTƒIƒ“ƒ[
TELF03-3405-8015
yTOYONO{‰z“c‘¾˜YŠÛDUOzguest: violão 7 cordas ”ö‰Ô‹BAper ‰ª•”—mˆê
‰ª•”—mˆê (perc) vo TOYONOAviolão 7 cordas ”ö‰Ô‹B 
5/30(‰Î) a’JESARAVAH TOKYO
TELF03-6427-8886
yOrquesta Librez
“n•Ó—²—Y (tp) ‰ª•”—mˆê (perc) –FŠ_ˆÀ—mds Â–؃^ƒCƒZƒCtb ‰–’J”Ž”Vcl “¡Œ´‘å•ãts Gideon Jukestuba ’Å’J‹g —é–ؐ³lb ‚—Ç‹v”üŽqvib guest/–öŒ´—zˆê˜Yvo 
¦ã‹LˆÈŠO‚É‚àƒ‰ƒCƒuî•ñ‚ª“ü‚莟‘æAŽžXV‚µ‚Ü‚·B

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